We learn so much from what we see, and movies offer that visual context to language learning like nothing else can. You actually see language as it animates the interactions of characters in the film. You see the gestures as wielded by native speakers, the subtle nuances that make the language so vivid.
The language learning program FluentU has a tailor-made video player that can solve these problems. The platform features hundreds of Italian videos that come from real sources, like movie trailers, drama clips and cooking shows. And when you find something that interests you, each video is equipped with interactive subtitles so learning a new Italian word in context is as simple as hovering over the word.
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The fall of Constantinople led to the migration of Greek scholars and texts to Italy, fueling the rediscovery of Greco-Roman Humanism.[103][104][105] Humanist rulers such as Federico da Montefeltro and Pope Pius II worked to establish ideal cities where man is the measure of all things, and therefore founded Urbino and Pienza respectively. Pico della Mirandola wrote the Oration on the Dignity of Man, considered the manifesto of Renaissance Humanism, in which he stressed the importance of free will in human beings. The humanist historian Leonardo Bruni was the first to divide human history in three periods: Antiquity, Middle Ages and Modernity.[106] The second consequence of the Fall of Constantinople was the beginning of the Age of Discovery.
As the country grew wealthier in the 1950s, a form of neorealism known as pink neorealism succeeded, and starting from the 1950s through the Commedia all'italiana genre, and other film genres, such as sword-and-sandal followed as Spaghetti Westerns, were popular in the 1960s and 1970s.[534] Actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. Erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, also influenced the horror genre worldwide.[535] In recent years, the Italian scene has received only occasional international attention, with movies like Cinema Paradiso written and directed by Giuseppe Tornatore, Mediterraneo directed by Gabriele Salvatores, Life Is Beautiful directed by Roberto Benigni, Il Postino: The Postman with Massimo Troisi and The Great Beauty directed by Paolo Sorrentino.[536]
Teaching packets are designed to permit flexibility in use. All are part of our free loan program with many available for immediate PDF download. They include a printed booklet with in-depth background information, suggestions for student activities, supplemental image CDs, and often with color study prints, timelines, and bibliographies. We encourage you to review them, to select those images and information that are most useful to your teaching needs, and to adapt and shape the materials to your specific instructional objectives.
Finally, in September of 2010, only a few days before he began the JSTOR download, Swartz turned up at a Google-sponsored conference on Internet Freedom in Budapest. Though he co-led a session called "Online free expression and enforcing ethics & accountability for corporations & governments," he did not seem especially moved by the conference's formal proceedings. But one night he went out to dinner with a group of activists, including many who were involved in the journal campaign. They spoke about the outrageous sum of money it would take to free up JSTOR for public consumption.
No one at the dinner proposed a massive JSTOR download, or anything remotely like it. As at the eremo in Italy, the people in attendance were circumspect when it came to the issue of copyright. Nor did Swartz give any indication he had a specific battle plan in mind. But, then, Swartz didn't let on that he was planning to compose a manifesto either. Italy demonstrated that he was capable of moving quickly and unilaterally when the spirit moved him. Within a few days of returning to the United States, Swartz purchased a new laptop, logged into the MIT computer network, and began the liberation of JSTOR.
103. Fraternity is born not only of a climate of respect for individual liberties, or even of a certain administratively guaranteed equality. Fraternity necessarily calls for something greater, which in turn enhances freedom and equality. What happens when fraternity is not consciously cultivated, when there is a lack of political will to promote it through education in fraternity, through dialogue and through the recognition of the values of reciprocity and mutual enrichment? Liberty becomes nothing more than a condition for living as we will, completely free to choose to whom or what we will belong, or simply to possess or exploit. This shallow understanding has little to do with the richness of a liberty directed above all to love.
105. Individualism does not make us more free, more equal, more fraternal. The mere sum of individual interests is not capable of generating a better world for the whole human family. Nor can it save us from the many ills that are now increasingly globalized. Radical individualism is a virus that is extremely difficult to eliminate, for it is clever. It makes us believe that everything consists in giving free rein to our own ambitions, as if by pursuing ever greater ambitions and creating safety nets we would somehow be serving the common good.
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